我们的失败剧情简介
2018年(nián )(🐽)5月和6月，Jean Gabriel P_Riot与(🐉)位于(yú )Ivry Sur Seine的一所高(🏇)中的10名(🖲)电(⚫)影(🐿)班学(🔸)生合(hé )作，开(kāi )展了一项(👁)将(🙍)电(💆)影(yǐng )与政治结(🚉)合起来(lái )的(de )项(🛺)目(📞)。学(xué )生们在摄像(✖)机前和摄像机后工作，重新布(bù )置罢(⏺)工(gōng )、抵(dǐ )抗和劳(láo )资(🥁)纠纷(📯)的场景，这些电影可以追溯到(dào )20世(💻)纪60年代(dài )末到70年(nián )代末(mò )，包(bāo )括(kuò )让-卢克-戈(gē )达尔和阿(🤷)兰-坦(🔔)纳的(de )电(🕙)影。nos d_faites汇集了(🕯)调查结果，并增加了采访，在采访(💍)中，导(🦇)演询问(➡)学(xué )生(🐛)他们刚刚表(biǎo )演(🤷)的场景(jǐng )(💅)，关于“阶级”、“工会”和(🐡)“政(zhèng )治(📧)参(🔍)与”等概念，以及(📸)更广泛的(de )社会背景(jǐng )。这(zhè )是一个简单，但尖锐的设置(zhì )，让观众一瞥年轻一代如何看待政治和(hé )(📤)过去的政治电影。这部影(🤼)片(❓)还记录了导演试(shì )(🚤)图(🚩)激(jī )怒学生的企图(⏺)。在导(dǎo )演和(hé )学(xué )生似(sì )乎处于(yú )平等地(🐱)位(wèi )(🖱)的遭遇中(zhōng )，基于从(💨)未(🈸)见(jiàn )过的导演(yǎn )(🕵)更多类似于老(👆)师(🔍)的提问，以(🐣)及此时(shí )此刻(🏖)对革命的思考：起义(yì )的(de )表现(🦐)反映(yìng )了同样的情况。这会(huì )导(dǎo )致一个真(zhēn )(🕤)实(⛱)的发生(📸)吗(🌲)？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到1968年的(de )电影时代，继续对重(chóng )放从过去跳出来的(de )电影节(🈲)选(💮)的年轻人进行(háng )今天的采访，我们的失败(bài )描绘了我(🍔)们当前与政治(🚻)的(de )关系。我们的失败，还是我(wǒ )们有足(zú )够的(de )力量来(lái )面对(duì )今(jīn )(🤦)天的混(⛪)乱？
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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