2018年5月和6月(yuè )(🐌),Jean Gabriel P_Riot与位于Ivry Sur Seine的一所(🌗)高中的10名(míng )电影班学生合作(🤷),开(kāi )展了一(🕯)项将电(💆)影(yǐng )与政治(zhì )结合起来的项目。学生(🥞)们在摄像机前和摄(🖍)像机后工作,重(chóng )新布置罢(bà )工、抵抗和(hé )劳资纠(jiū )纷的(de )场景(jǐng ),这些电影(yǐng )(💱)可(kě )以追溯(🌊)到(dào )20世(shì )纪60年代末到(dào )70年代末,包括让-卢克(🎾)-戈(🈴)达(dá )尔和阿(ā )兰(lán )-坦纳的电影。nos d_faites汇集了调(diào )查(chá )(👣)结(jié )果,并增(💝)加了采访,在采访(💍)中(🚗),导演(😊)询问学生他们刚(🐨)刚表演的场景,关于“阶级”、“工(gōng )会(huì )”和“政治参与(😙)”等概(gài )念(niàn ),以(💏)及(jí )更广泛的(♌)社会背景。这是一个简单(🌂),但尖锐(🐖)的设(shè )置,让观众一(📞)瞥年(🏓)轻一代如何看待(😳)政治和过(🚻)去的政治(zhì )电影。这部影片(piàn )还记录了(le )导(dǎo )演试图激(🍹)怒学生的企图。在导(dǎo )演(🈳)和学生(shēng )似乎处于平(🚪)等(🐌)地(dì )位的遭(zāo )遇中,基于(✒)从(cóng )(💨)未见过(guò )的导(dǎo )演更多(🚓)类似于老(lǎo )师的(🏗)提问(wèn ),以及此时此(cǐ )刻(🏖)对(duì )革命的思(🏗)考:起义(🈺)的表(biǎo )(🔝)现反(fǎn )(🏁)映了同样的情况。这会导致一个真(🕤)实(⛱)的(🥈)发生吗?
(🦄) In May and June 2018, Jean-Gabriel Pé(🍆)riot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’(😼)ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到1968年的电影时代,继(jì )续(xù )对(duì )(🦌)重放从(cóng )过去(qù )跳出来(lái )的电影节选的年轻人进(🍞)行今(jīn )天的采(cǎi )(😠)访,我们的失(🚇)败(📐)描(🕰)绘了我们(men )当前与(🎽)政治(zhì )的(de )关(guān )系。我们的失(🎆)败,还(✨)是(🏼)我们有(🚜)足够的(de )力(📆)量来面对今天的混乱?
(🔊) By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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