迷(mí )幻少女遇著(🥇)過(guò )氣公安老頭,未必是(😘)貓捉老(lǎo )鼠累鬥(dòu )累,也可以是從(🆖)老(🥈)前(🐉)輩身(🌰)上學會認識自己(💤)。阿(🎾) P 為追阿初(❣)欠她的(de )(♑)債(📼),偶然與阿初的外公相(🤷)遇,兩(liǎng )(🎡)個生活(huó )態度(💆)南(✳)轅北(běi )轍(zhé )(🛹)的人(rén ),就是這樣在荒謬的處境(🍮)中相互學習。阿P在當中(zhōng )看見年青(💞)一(yī )代的無奈:(🚣)十六歲的迷途(🛑)青(⏯)春、愛情的無(wú )(🦗)助(zhù )、軟性(xìng )毒品的蠶(cán )食、面對父母(🏂)失敗的婚姻(yīn )(🙄)、自(zì )己渾噩(💪)的前途....阿(ā )初無故失蹤(🤲),又是否因抵受不了(🎋)同樣(yàng )殘酷的青春?世情像玻璃,有時看得(dé )透(tòu ),有(🍑)時不,相同(tóng )(🐾)的只是:兩(liǎng )者同樣冰冷易碎(suì )。
The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.
Source: 25th HKIFF (2001)
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