迷幻少(⛲)女遇著過(📼)氣公安老頭(tóu ),未必是(shì )貓捉老鼠(🔱)累(lèi )鬥累(lèi ),也可(kě )以是從老前(qián )輩(bèi )身上(shàng )學會(huì )(🏴)認識(shí )自己(💤)。阿 P 為追(zhuī )阿初欠(qiàn )(🌗)她的債,偶(ǒu )然與阿初(chū )的外(wài )公相遇,兩個生活(👁)態度(💆)南轅北(běi )轍的人,就是這(zhè )樣(📞)在(zài )荒謬(🥞)的處境中相互學習。阿P在當中(😱)看見年(nián )青一(⏺)代(dài )的無奈:十(shí )六歲的(📯)迷途青(⏯)春(chūn )、愛情的無助(zhù )、(🎛)軟性(㊗)毒品(pǐn )的蠶食(shí )、面對父(🐑)母失敗的婚姻(🙄)、(㊙)自己渾噩(è )的前(🎾)途(⏰)....阿初無故失蹤,又是否因(yīn )抵受不(bú )了同樣殘酷(🧟)的青(🧣)春(🤖)?(⚾)世情像玻璃,有時看(💹)得透,有時不,相同的只(😊)是(shì ):兩者同樣(yàng )冰(🐨)冷易碎。
(📟) The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.
Source: 25th HKIFF (2001)
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