雕像也会死亡剧情简介
《雕像也会死亡(📼)》（Les statues meurent aussi，阿兰·雷乃、(😧)克里(lǐ )斯(🌫)·马尔凯(kǎi )，1953年出品(pǐn )，27分(fèn )(🔸)钟(zhōng )）尖锐地批(🎡)评了西(xī )方殖民主义(yì )对非洲(🏐)传统艺(🕌)术的戕(🎿)害(hài )以(yǐ )及自称热爱非洲艺术的(de )上(🥀)等阶层的(de )贪婪与伪善(🚢)。本片的主角(jiǎo )是来自黑非洲的人物雕像(xiàng )、(🌑)面(miàn )(🎛)具和(㊗)其他非洲(🗞)艺(🙂)术品，但是它(tā )们的演出场所并(bìng )非黑人的(🎾)故乡，而是白人的(🧤)欧洲(zhōu )，艺(🕙)术品市场和(hé )艺(yì )术品拍(🥕)卖会是它们频频(pín )出(🕯)没(🌮)和滞留的中转(💝)地。这(zhè )些本来(lái )被非洲部(bù )族用来抵抗死(sǐ )亡(🌹)的面(miàn )具(jù )(👪)和雕像，如今却呆(dāi )在(zài )博(bó )物馆(😝)的(de )橱窗里静(jìng )静地死(🤔)去(📧)。此时，画外音告诉我们：“当人死去(qù )的时候，他(📐)便进(jìn )入(🔙)了历史；当这些雕像死去的时候，它们进(👛)入了(le )艺术(🎦)；这(zhè )种关(guān )于死亡的学问，我(wǒ )(🤼)们最后(hòu )(✖)称(🕺)之(zhī )为文(wén )(😉)化。”由(yóu )于本(❄)片具(🈺)有鲜(xiān )明而(👅)强(qiáng )烈(🐈)的社会(🔍)批判意识，自拍竣(jun4 )之日(😲)起即遭到法(💨)国政府禁映(🍾)，直到(🚓)1963年才解(🍉)禁。本片由长(zhǎng )于剪辑(🍝)的阿(🍈)兰·(🏗)雷乃操刀(🈺)剪辑，由强于写作的克里斯·(🖥)马尔凯撰(👧)写解(jiě )说(⛱)，充分发(fā )挥(huī )了两人各自的强项(xiàng )，可(kě )谓强(qiáng )强合作的结晶。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
《雕像也会死亡》相关作品
其他周榜单